Dialogue is one of the trickiest things to get right. It requires a good ear, and the ability to make speech sound natural even though it is probably the most carefully constructed, "artificial" component of any fictional work. What I mean: Counterintuitively, dialogue in fiction should not mimic everyday speech. Humans say a lot of…
Quick Tips #3: Show, don’t tell
“Don’t tell me the moon is shining; show me the glint of light on broken glass.” This quote by Chekhov may be familiar to some of you. It encapsulates perfectly one of the rules of good fiction writing: Show, don’t tell. Consider the following: The man was very nervous. He tried not to cry. He…
Dandelion Clocks
I'm delighted to announce that my short story "Dandelion Clocks" has won the 2021 NZSA Graeme Lay Short Story competition. In his announcement on Facebook today, Graeme said: Themes of childhood loss and the possibility of renewal make this beautifully observed and sensitively written story difficult to forget. Thank you, Graeme, and congratulations to the…
Quick Tips #2: Write Small
It's tempting to think you have to "write big" about big issues. It's much more powerful, however, to write quietly; to whisper the most profound things. Even better, to "get out of the way" and let those things whisper their power all by themselves. Often what we leave out - or what we gently brush past…
Throat Clearing
Today I want to suggest one way you can improve your short fiction. Stop clearing your throat. Throat clearing is what many writers do at the beginning of a short story. They set the scene. They ease us in. But as the name of the concept implies, much of it is an unnecessary and ineffectual prelude to the good…
Quick Tips #1: Adverbs
I'm introducing a new series called Quick Tips. Every now and then (I'll try for every fortnight or so), I'll post about an issue we writers tend to struggle with, and I'll make quick suggestions for how to address it. I'll try to keep the posts under or around 200 words. I'll keep on posting…
Offline Liberation
A couple of months ago I removed myself from Facebook (apart from my author page) and deleted Twitter. I spend a limited amount of time on LinkedIn and Instagram, mostly for my work. I’ve been thinking about how the decision to (mostly) unplug, based on protecting my mental health, saving time, and stopping mindless scrolling…
The Girl Behind the Bar
I dug this story out recently. It was highly commended in the 2014 Takahē short story competition. (Takahē is a New Zealand literary journal.) It's one of my favourite pieces of work - perhaps because it takes the reader to Northern Ireland, where I was born. It's never been published, although I did post it…
Soundbites and Clickbait: my experience as a radio journalist
Last month I posted my thoughts about journalism in New Zealand generally, and in a pandemic in particular. I thought today I would dig a bit deeper into my own experience as a journalist and what it taught me - about writing, about humanity, about the media, and about the way we choose to show…
First Person POV: the risks and rewards
As those of you who visit regularly will know, my first novel is coming out in February next year. It's off to be typeset shortly, then printed. I'm excited and terrified - primarily that as soon as I flick through a printed copy I'll find a typo. These are the fears that keep a proofreader/editor…
Patricia Bell, Author 